Infatuation and Illusions of a teenage girl
Guddi’s Star-Struck Obsession
Guddi (meaning ‘doll’ or ‘toy’ in the female gender) is a beloved 1971 Hindi film directed by the masterful Hrishikesh Mukherjee. It’s a charming and insightful story that offers a peek behind the curtain of the film industry, showcasing the difference between reel life and real life. The story centers on Guddi, played by Jaya Bhaduri in one of her breakthrough roles. Guddi is a naive and imaginative teenage girl living with her elder brother (Utpal Dutt) and sister-in-law, Sumita Sanyal. She develops a fervent crush on the famous actor Dharmendra, admiring him for his on-screen heroism and charismatic looks. She is completely swept up in the fantasy of his movie persona and firmly believes she can only marry a ‘hero’ like him.
A Glimpse of the Hero
Guddi is ecstatic when a film shooting featuring Dharmendra takes place in her village. She rushes to the location, manages to meet her idol, and secures his autograph. Dharmendra, gracious and kind, encourages her to focus on her studies. While this meeting deeply impresses Guddi, it only solidifies her infatuation.

The Ordinary Suitor
Meanwhile, her sister-in-law has arranged her alliance with Ajay Sharma, affectionately called Kishen (played by Samit Bhanja), a perfectly decent but ordinary young man. Guddi dismisses Kishen, finding him dull compared to the larger-than-life Dharmendra. She stubbornly insists that she will only marry the actor.
Unmasking the Film World
Guddi’s elder brother, a professor played by Utpal Dutt, understands her childish fantasy but recognizes the need to bring her back to reality. He is acquainted with some film personalities and takes it upon himself to show Guddi the “true colours of filmdom.” He meets with Dharmendra and explains Guddi’s situation. Dharmendra, though initially expressing an inability to convince the girl, agrees to the professor’s request: to help Guddi understand that the hero she sees on screen is an illusion, not a reality.
Dharmendra’s Lesson
Dharmendra decides to teach Guddi a lesson in humility and reality. He contrasts his on-screen bravery with the genuine actions of an ordinary man. He explains that while he performs heroic deeds on screen, he often relies on dupes (stunt doubles)** for dangerous action sequences. He highlights that Kishen, in contrast, is a “true hero” because he handles life’s challenges in person. To further drive the point home, they stage an incident where Kishen is shown expertly and personally apprehending a thief, a feat that is deliberately contrasted with the “hero’s” inability to perform such actions without assistance.
A Happy Ending: Realization and Love- The Truth Prevails
Guddi is deeply impacted by the orchestrated events and Dharmendra’s candid explanation. She finally grasps the difference between the manufactured reality of cinema and the genuine strength and character of real people. The illusion of the film hero shatters, and she begins to appreciate Kishen for his sincerity and inherent worth.
A True Connection
As Kishen prepares to leave for Bombay to start a new job, Guddi realizes her true feelings for him. She finds him on the terrace, tearfully confesses that she wants to go with him, and thus accepts him as her life partner. The film concludes with Guddi’s emotional growth and a happy reconciliation. Filming on the subject of infatuation and illusion of a teenage girl in seventies, definitely, is a dare decision of director Hrishikesh Mukherjee.The film’s excellent direction by Hrishikesh is the small reason cited for its flawless execution and enduring appeal. ‘Bhole he Papihara’ sung by Vani Jayaram is simply superb.

Principle Correspondent, Prime Post
Vidya Sagar Chaturvedula is a passionate film enthusiast whose four-decade career spans multiple sectors, including media and industry. Fluent in Telugu, Hindi, and English, he has a deep appreciation for cinema, particularly films in those three languages. His passion goes beyond simple viewing; he enjoys analyzing directional skill, the emotional depth of actors’ performances, and the profound meaning embedded in dialogue. Mr. Sagar is known for his ability to clearly articulate and narrate his insightful film analyses after watching a movie.
It’s, very nicely edited. It’s Hrishikesh Mukherji talent who directed the film with a small subject, elaborated in such a way. Hats Off to director Hrishikesh Mukherji. They always produced films with a message to social problems arising in the society. Excellent. Speechless.
Guddi as reviewed is an excellent depiction of teenage girls fantacies about cine heroes in those days.And the song bolere pappi in Vani Jayaram ji voice is an all time hit
Very True. Thank You Very Much Madam.
Filming on infatuation issue in seventies is definitely a dare step of Hrushikesh Mukherjee
Guddi is all time favorite movie of Jaya Bhaduri. Outstanding movie.
Guddi is one of the favorite movie of Jaya Bhaduri. Outstanding movie. Very nicely narrated.
Transformation is the key.
A sensitive on screen depiction of evolution of individual’s sexual physiological and psychological make-up.
The casting, humour, and storyline was and is inspiring and educative for the teens of any generation.
I reminded of how my Dad used to admire Dharmendra s acting. Reading this brought back those old memories. Thank you uncle🙏
Seems to be a good movie and indeed applicable for present our generation who worships their favourite heroes/politicians as their demi-gods without knowing their true colors.. is it co-incidence or intentional, that you are reviewing all jayabadhuri films :), was she your crush uncle during 70’s? 🙂